Another conversation between Stephanie Hasz and Andy Fleming of #lollaPALooza

Today, for the third time ever, I received in my mailbox an un-postmarked envelope containing a microcassette. I immediately recognized this as the handiwork of Andy Fleming & Stephanie Hasz, who have done this twice before. Frankly, it's a pain in the ass each time. I don't own a microcassette player and always have to borrow one from my wife's brother, Rod. Ugh. Rod. I hate that guy.

Anyway, what follows is a transcription of what I found on the tape: an apparent recording of a lost episode of the podcast WTF with Marc Maron, featuring Hasz & Fleming as its guests. Enjoy?

[The WTF theme plays, then fades out as Marc Maron starts speaking.]

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A conversation between the producers of Shine Box Comedy

(Editor’s note: Six months ago, Steamroller was mailed a microcassette featuring a conversation between Stephanie Hasz & Andy Fleming. Today, another unpostmarked package showed up-- the same day as )

[Begin transcript]

[rustling noises]

ANDY FLEMING: Okay, what is this one for again?

STEPHANIE HASZ: For that comedy blog.

FLEMING: ComedyOfChicago.com?! I LOVE them! OH MY GOD I HOPE WE’RE IN “WHAT’S POPPIN’”!

HASZ: No, no that one. Steamblower or something.

FLEMING: Oh.

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The Steamroller's best of 2013

My favorite part of doing this website is getting to spotlight the work being done by the most talented people in the hugely exciting and talented Chicago comedy community. I reached out to a bunch of these people and other friends of The Steamroller to share their top five favorite people, places, and things from Chicago comedy 2013. Check out a huge list of top fives, as well as my personal list, below!

Matt Byrne

Favorite thing: The Late Live Show

This shouldn't be a shock to anyone familiar with The Steamroller. The Late Live Show was the best comedy show of any kind in Chicago, and now it lives in L.A., where Real Actual Famous People are guests (like Mad Men's Rich Sommer and Freaks and Geeks' Samm Levine). The final run of shows earlier this year at iO were some of the funniest, most well-executed nights of comedy I've ever seen; it was so exciting to see a collective with such a strong, specific comedic voice come into their own in front of packed houses week after week. They're coming back next month for a handful of shows at iO and SketchFest, and I couldn't be more excited.

Favorite festival: A Jangleheart Circus

I can't believe how perfect A Jangleheart Circus was. On paper, a three day festival of improv and sketch from over 100 (mostly local) independent teams and performers might sound well intentioned but ultimately unrealistic. In real life, it was electrifying proof of the power of Chicago's underground improv comedy scene. Endless congratulations are due to the festivals' organizers, Alex, Walt, and Caitlin, the folks responsible for making the Upstairs Gallery the palace of comedy it is. Jangleheart packed an unbelievable number of friendly, clued-in comedy people (performers and fans alike) into one venue, filling out shows on three separate stages, distilling everything that's cool and energizing about SketchFest into one no bullshit Summer weekend.

Favorite one-off/concept show: Henry Soapfloats' Funeral/HIJINKS November (tie)

I've written a whole bunch about both Hijinks (the monthly show produced by Two Bunnies Eating Flowers and Sovereign at the Public House Theater) and Henry Soapfloats' funeral (organized by local standup Ian Abramson) on here, so, again, this should come as no surprise. Ian Abramson's Funeral For A Prop Comic was a delightfully absurd, fully realized vision put on in a death trap of a basement, featuring some of the funniest, strangest up-and-coming standups in the city flexing their solo sketch muscles.

I posted a breathless wrapup of The HIJINKS Trolley Show earlier this month, and want to reiterate one last time that it was one of the most delightful things I'd ever seen, made all the more special considering of the pitch-black darkness the two teams behind HIJINKS are generally known for. It felt like one of those shows that, in 15 years, 300 people will talk about as if they were there. They weren't.

Favorite internet thing: 

Yes Yes Garfbert Yes!

Favorite audience member: Fard Muhammad/Katie McVay (tie)

Fard and Katie are two of the biggest assets to any audience in Chicago. The effect of Fard's tremendous, purely delighted laugh, which can be heard soundtracking most, if not all footage from the Late Live Show (normally punctuated by  shrieks of joy), is amplified tenfold by his unwavering proclivity for grabbing a seat in the (normally vacant) front row at every comedy show.

It goes without saying that Katie's one of my favorite comics working in Chicago right now, with perspective that perfectly vacillates between crippling self-consciousness and a total lack thereof. As an audience member, she's often struck by fits of boisterous laughter so ridiculous and sincere, that fellow audience members are enabled to comfortably indulge in their own unhinged enjoyment, which is an incredible thing to watch happen.

First Annual Steamroller Honorary Lifetime Achievement Award: The Lincoln Lodge

Had the window for best of submissions not closed a few days before it was announced that The Lincoln Restaurant was closing and thus The Lincoln Lodge was suddenly cast out into the void, in search of a new home base, most of the lists below would look a lot different.

I'm working on a longer thing about The Lodge's enduring influence and continued greatness, but for now, I'm going to have to speak for all those on this list and beyond: The Lincoln Lodge was (and is, it's not dead) an incredibly important, reliably awesome home for weird, interesting comedy in Chicago throughout the 21st century. Lodge Papa Mark Geary, along with his myriad cast members, worked to create something wholly unique and good. I'm confident that they will find a new home and continue to support and create great comedy well into the future.

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A conversation between Stephanie Hasz and Andy Fleming of #lollaPALooza

Stephanie Hasz and Andy Fleming, two standup comics based in Chicago, are celebrating the anniversary of their friendship with a weeklong comedy festival called #lollaPALooza. 

Yesterday I received a package in the mail, apparently from Hasz and Fleming, that contained a microcassette with the following note attached:

Dear Matt: In spite of your blunder of not asking us for an interview about our upcoming #lollaPALooza Comedy Festival, we have decided to grant you this tape. We’re sure you can make something of it. Maybe a series?   

Kisses, Stephanie Hasz & Andy Fleming

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The Year in Review

Now that the year is (almost) officially over, I figured a wrapup of some of my favorite things from 2012 would be something worth writing. The Steamroller was launched in September, but I've been a fan of the folks featured on this site for much longer. What follows is a list of Chicago comedy-related things that were great in 2012.

Best local comedy podcast
This one is a tie. My jealousy of the brilliantly simple concept behind the  is on record in the Chicago Tribune and continues to this day. Co-producers and Justin Schwier brought comedy into the recording studio, Good One style, for great sounding half-hour sets from some of my favorite local acts to be podcasted and sold as limited run cassettes. They just recently wrapped up their first season, hopefully we'll see another run in 2013.

Shortly before left Chicago for the greener pastures of Los Angeles, his podcast You Could Be Dead was regularly topping itself with each episode. The show's threadbare concept (Fritz and a couple friends riff on a handful of current events and news items) occasionally devolved into insane bits of transcendent silliness. The show's on hiatus for the time being, but there are some real gems worth checking out from the couple dozen episodes produced. Some personal favorites include episodes from 9/28/12 (with The Puterbaugh Sisters), 9/10/12 (with Chad Briggs), 7/16/12 (with Jet Eveleth & Erin Foy),  and 7/11/12 (with Joe McAdam and Danny Kallas). Though some of the topics discussed may be old news at this point, the bits make it totally worth it.

Best new standup album
Look, another tie! Adam Burke's Universal Squirrel Theory and Beth Stelling's Sweet Beth were two of my favorite standup albums without qualification this year. That these two are from Chicago speaks volumes for the depth of talent working in this city.

I'm sure we can all agree that the concept of "nerd comedy" is pretty repellent on its surface. That being said, Universal Squirrel Theory is comedy written by an uncompromisingly smart person, with highbrow references and turns of phrase free of any self-congratulation, making for a sort of best case scenario nerd humor. Burke's charm and smarts are unrivaled in Chicago comedy, and we're lucky to have him.

While Beth Stelling is technically an L.A. resident at this point, this record's too strong to go without mention in this piece. Sweet Beth showcases her endless likability and short form storytelling chops. The album's perfectly capped off with ten minutes of riffing with her former Entertaining Julia cohosts, The Puterbaugh Sisters, making for a charming close to a very strong debut record.

Best trend that should continue into the new year
2012 has seen a ton of new shows in nontraditional venues. While shows like The Lincoln Lodge and The Kates have been carrying the weird venue torch for years at this point, there's been a slew of awesome standup showcases popping up in places that aren't bars throughout Chicago.

The folks behind , , , and (which I help produce [full disclosure]), have taken to bookstores, tea lounges, sex shops, and record stores, respectively, producing donation based, BYOB shows that are generally free of aggro douchebags and bar minimums. Keep it up, everyone.

Best festival that local club owners & talent buyers should learn something from
While Chicago is second-to-none in creating, developing, and fostering comedic talent, it's not exactly known for bringing through a lot of huge names after they've blown up. For two weeks in June, Just For Laughs approximates what it'd be like if Chicago clubs were actually interested in regularly booking unique, creative comedy shows.

If a character based panel show hosted by a conspiracy-obsessed Jesse Ventura (James Adomian) can sell out The Hideout with essentially zero advertising or promotion beyond the JFL website, there's no reason live podcast tapings and other idea-driven shows from medium-famous comedy folks wouldn't do just as well at venues like Lincoln Hall or Up with the proper promotion.

While I understand that a lot of these shows happen in NY and LA because the folks producing them live there and don't necessarily have to make a boatload of cash from each show, Just For Laughs has proved there is a base of comedy fans in Chicago willing to pay to see their favorite comedians (as well as unfamiliar faces) perform in nontraditional shows.

That is not to discount the work already being done here in the city; it's absolutely great that weird, conceptual shows like Impress These Apes, Shame That Tune, and The Late Live Show exist. They help local performers stretch their muscles in ways open mics and showcases don't and are generally a shitload of fun.

The folks from the Tomorrow Never Knows festival are leading the charge in 2013 for more nontraditional live comedy shows from recognizable names, by welcoming back the Delocated Witness Protection Program Variety Show after a ridiculous JFL show, as well as a Low Times Podcast taping and a straightforward standup show featuring Kurt Braunohler and Cameron Esposito. I, for one, am planning on hitting up all three. Maybe I'll see you there.