It more or less goes without saying that, if you’re into seeing sketch comedy on television, it’s a pretty good time to be alive. There’s Inside Amy Schumer, Key & Peele and Kroll Show on Comedy Central. IFC is cornering the young, hip, conceptual market with The Birthday Boys, Comedy Bang! Bang! (a sketch show dressed in the clothes of a talk show) and Portlandia. [adult swim] is skewing even younger with Loiter Squad and Robot Chicken. And then, of course, there’s Saturday Night Live usually bowling its demographics straight down the middle.
Despite the limited number of networks involved here, cable-owning Americans (or people with reliable Internet connections and questionable senses of ethics, like me) now have an unprecedented spectrum of options to choose from when it comes to short-form comedy. It’s a more diverse game now than it’s ever been, both in terms of its writers/performers and in terms of comedic sensibilities. Viewing all these shows together, there’s a couple major observations we can take away from this TV-sketch-show zeitgeist: sketches performed in front of a live audience are all but on their way out, and it’s becoming increasingly important that the rest of them have some high-ass production values.
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